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and asylum art allowed Klee to rethink his art and situate himself in an intermediate space
it constitutes both an exhibition catalogue reflecting the joyful and creative atmosphere of the three successive exhibitions
ils seront ensuite utilisés comme linceuls lorsque les pratiques d'embaumement et de momification seront abandonnées
Here it is brought together for the first time
Paul Signac. La mer en pointillés. Collectif and asylum art allowed Klee
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