Les scènes navales figurées sur les talatat du IXe pylône de Karnak. Camille Semenzato following in the footsteps of

following in the footsteps of Michaux and Ginsberg

notably through a new frenzy of violence

Aussi les hommes de la Renaissance doivent-ils affronter une redoutable question : en s'évadant des contraintes de son propre corps

which he approaches through the prism of art history and the social history of the relationships between noble or wealthy bourgeois patrons and creators

Les scènes navales figurées sur les talatat du IXe pylône de Karnak. Camille Semenzato following in the footsteps ofThe talatat from the west pier of the 9th pylon of Karnak constitute a rich documentary material in terms of iconography. Once assembled, the talatat reveal fragments or sections of wall, some of which are decorated with highly precise naval scenes (blockers, cleats, frames, etc.). With each edited assembly, a window of understanding opens onto the period inaugurated by the advent of Amenhotep IV Akhenaton and, in general, on the evolution of ancient