La surface et la chair: Madame d'Ora, Vienne-Paris, 1907-1957. Philosophie Die Belegstellen

Die Belegstellen

highlighting legacies and ruptures

" it is bordered by a highway and soon by a high-speed train line between Lyon and Turin

giving structuralism some of its foundations and inaugurating what would be called historical anthropology

La surface et la chair: Madame d'Ora, Vienne-Paris, 1907-1957. Philosophie Die BelegstellenWhat could be more exceptional in the history of photography than the coexistence, in the same artist, of practices covering apparently antagonistic fields: that of fashion and that of documentary activity? Between the recording, often considered futile, of the surface and the ornaments that cover it (choice of clothing, valorization of the beauty and glamour of the models) and that of the miseries of the world, of bodies, including in their rawest