Anne Imhof's DOOM Documented by Tess Petronio typography Cut by Mathieu Berthet

Cut by Mathieu Berthet

this is their slimmer eighth issue

Soutenu par le respect et la sympathie pour le sujet traité

The new issue of Alphabet carries on with the first issue’s DNA

Anne Imhof's DOOM Documented by Tess Petronio typography Cut by Mathieu BerthetPhotographer Tess Petronio first learned about acclaimed multidisciplinary artist Anne Imhoff during her time in art school. Tess reached out to Anne for an internship, longing to be a part of Annes sphere and to learn more about her creative process. Annes team responded, inviting Tess to New York City to intern during Annes largest performance to date, DOOM: House of Hopea three hour performance loosely based on Romeo and Juliet with a cast of